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    <lastmod>2026-01-10</lastmod>
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    <loc>http://www.re-sound.net/new-events-1/migration2026</loc>
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    <lastmod>2026-01-11</lastmod>
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      <image:title>Shows - Re:Sound Migration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Shows - Re:Sound Migration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Shows - Re:Sound Migration - Make it stand out</image:title>
      <image:caption>photo by Jessica Nguyen</image:caption>
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    <loc>http://www.re-sound.net/new-events-1/vibration2025</loc>
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    <lastmod>2025-11-23</lastmod>
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      <image:title>Shows - Re:Sound Vibration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Shows - Re:Sound Vibration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Shows - Re:Sound Vibration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>http://www.re-sound.net/new-events-1/sun2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-04</lastmod>
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      <image:title>Shows - Re:Sound Sun - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/d5210eb8-1d7f-47a7-b09d-025b8af46083/wg.jpeg</image:loc>
      <image:title>Shows - Re:Sound Sun - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>http://www.re-sound.net/new-events-1/migration2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-23</lastmod>
    <image:image>
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      <image:title>Shows - Re:Sound Migration - Make it stand out</image:title>
      <image:caption>Ava Koohbor is a maker who's fascinated with metals, rust, concrete, asphalt and the resonances of the city's day to day life. She sees a performance as a zone/ to zero in on/ an emblem of all becoming/ an amulet for all sound/ an offering to the soul/ a martyrdom for all noises/ harmonized/ tuned/ sanctioned/ under acoustic law.</image:caption>
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    <image:image>
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      <image:title>Shows - Re:Sound Migration - Make it stand out</image:title>
      <image:caption>Mayuko Hino gets called the "Queen of Noise" for her role in founding C.C.C.C. (Cosmic Coincidence Control Center) in 1990 with Hiroshi Hasegawa. Part of the Osaka scene in the 90s, early C.C.C.C. performances combined live noise and Hino's actions with bondage ropes and candle wax, drawing on her past work as an actress in pink films of the 70s and 80s. Butoh became a focus in her performances of the late 80s, and her activity spanning the 90s included C.C.C.C., solo noise performances, and collaborations with Keiji Haino, Masonna, Jojo Hiroshige, Monte Cazazza and others. Hino organized the groups Transparentz with Seiichi Yamamoto of the Boredoms, DFH-M3 with vocalists Junko and Ranko Onishi, and released her first solo album in 2014. Now in 2025 she returns to the Bay Area for the first time in over two decades with a solo tour. Hino's sound is atmospheric, dense, textural, and fierce, channeling an emotional intensity through noise as 'trans-disciplinary media.'</image:caption>
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  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/vibration2024</loc>
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    <lastmod>2025-09-11</lastmod>
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      <image:title>Shows - Re:Sound Vibration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Shows - Re:Sound Vibration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/62d513bd-5212-4b86-8e6f-9cc5fe95a595/ilios.jpg</image:loc>
      <image:title>Shows - Re:Sound Vibration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
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      <image:title>Shows - Re:Sound Vibration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>http://www.re-sound.net/new-events-1/sun2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1485043051278-LNK9R58WVJTY9ZHANL2K/13502792_10204893706661638_2034833980323548006_o.jpg</image:loc>
      <image:title>Shows - Re:Sound Sun - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/227822e6-8005-4d59-a814-1fffffc917fd/cgrsm.jpg</image:loc>
      <image:title>Shows - Re:Sound Sun - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/25ef2a28-ad68-4dde-984d-eac5d3725f93/yann-novak-g-brenner.jpg</image:loc>
      <image:title>Shows - Re:Sound Sun - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/75661d4d-850e-421b-9fa2-983c214e4e55/yasi-poursamad-ami-radunskaya.jpg</image:loc>
      <image:title>Shows - Re:Sound Sun - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/migration2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/d4553ec0-402b-4d00-bc1c-9251e9ec9c78/LEXAGON-IMG_3547.jpg</image:loc>
      <image:title>Shows - Re:Sound Migration - Make it stand out</image:title>
      <image:caption>Alexa Burrell was born in San Francisco, CA. She is an experimental collage artist who weaves together field recordings, video composites, projections, animations, sculptures and archival materials to create lush fantastical and evocative narratives that compare the emotional and material, natural and technological, and scientific and spiritual.  Alexa is a musician with a solo project LEXAGON. Her music brings an afro-futurist sonic mirage of sound- weaving together enchanting vocals, clarinet, field recordings and handmade instruments. Inspired by female jazz vocalists and melancholy love songs, her performances incorporate femme ballads with ritualized moments of improvisation and intricate rhythms from unordinary objects such as stovetops and birds. Her music has been described as “ancient, sexy and haunting.” She’s interested in how music activates memory, particularly ancestral trauma and epi-genetics. Music is her vehicle for time-traveling, meditation and intergenerational healing.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/a80ff340-f490-4e56-9b00-9d428df60105/Sholeh-Asgary_Image-Courtesy-of-PICA-Experiments-in-Sound-Performances_Photographer-Tojo--Andrianarivo_3.jpg</image:loc>
      <image:title>Shows - Re:Sound Migration - Make it stand out</image:title>
      <image:caption>Sholeh Asgary is an interdisciplinary artist who researches how the auditory characteristics of a location reveal its underlying conditions and our relationship to place—echoing the near-perpetual movement across borders that characterized Asgary’s formative years. Situating the body as a site of knowledge, the work takes form as visual, sound, and collective processes. The resulting works implicate the viewer in mythological excavations that bridge large swathes of time and history through water, water clocks, crude oil, movement, light, imaging, and voice. Asgary's sound performances use her voice, the environment, and the innate properties of everyday objects as an ether for direct communication in an otherwise disparate circumstance of image. She explores materials and concepts used in her larger practice through improvisational performance, such as water clocks, AM transmission, frequency interference, and language.</image:caption>
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    <image:image>
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      <image:title>Shows - Re:Sound Migration - Make it stand out</image:title>
      <image:caption>Angst Hase Pfeffer Nase is a jackdaw duo of Chris Cooper (guitar, electronics) and Jessica Goddard (Pure Data and SuperCollider), building and abandoning junk palaces of shiny detritus. Following the first solo tape-collage 7" releases in the mid '90s, the idea of what Angst Hase could be has varied over the years - from painstaking musique concrete compositions, to small-band noise-based songs, with frequent prepared guitar improvisations interspersed throughout. As a member of Bhob Rainey's improvising octet The BSC (also including Greg Kelley and Howie Stelzer), Cooper has collaborated with Pauline Oliveros, Andrea Neumann, and Axel Dorner. And let's not forget his long-running nameless duo with Bill Nace. Jessica Goddard's solo project Schurt Kwitters' sole LP release of analog synth and contact-mic'd sewing machine has garnered accolades in certain dusty corners of the internet. Both have been members of skewed rock-ish band Fat Worm of Error, and fritzy-electronic trio White Limo.</image:caption>
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  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/2023/9/resound-vibration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/227822e6-8005-4d59-a814-1fffffc917fd/cgrsm.jpg</image:loc>
      <image:title>Shows - Re:Sound Vibration - Make it stand out</image:title>
      <image:caption>We are saddened to announce that due to an illness and bereavement CGRSM will not be able to play. Re:Sound and the community are sending high vibrations of love to them. CGRSM to is an initialism that stands for the Los Angeles duo of artists Christopher Reid Martin (Rotary ECT) and Gabie Strong. Known for playing amplified long-form guitar work, their live performance explores the creation of sound as a noisy reflection on being. Both artists have extensive exhibition and performance records, as well as releases on Crystalline Morphologies, Dragon's Eye Recordings, Via Injection, and The Tapeworm.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Shows - Re:Sound Vibration - Make it stand out</image:title>
      <image:caption>Sult explores the hidden sounds of acoustic instruments (guitar, contrabass, percussion), magnifying them with microphones so the audience can join them inside their silent cacophony. Subtle harmonics become saws cutting through metal, and creaking wooden bodies become sinking ships. Their expression is primitive and raw, but while their playing embraces chaos, it is matched with discipline and a 15-year history of collaboration. The group sounds as one, with the gestalt of simultaneous layers taking primacy over any solo expression. The equality of the voices, however, invites the listener to focus on threads of their own choosing and make their own discoveries.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/3bd4e8ce-b2f5-4140-8a27-134b823ed381/Nakatani%2BSolo%2B1.jpeg</image:loc>
      <image:title>Shows - Re:Sound Vibration - Make it stand out</image:title>
      <image:caption>Tatsuya Nakatani is an avant-garde percussionist, composer, and artist of sound. Active internationally since the 1990s, Nakatani has released over 80 recordings and tours extensively, performing over 150 concerts a year. His primary focus is his solo work and his large ensemble project, the Nakatani Gong Orchestra. He teaches master classes and lectures at universities and music conservatories around the world. Originally from Japan, he makes his home in the desert town of Truth or Consequences, New Mexico. With his activity in new music, improvisation, and experimental music, Nakatani has a long history of collaboration. Nakatani's distinctive music centered around his adapted bowed gong, supported by an array of drums, cymbals, and singing bowls. In consort with his personally hand-carved Kobo Bows, he has spent decades refining and developing his sound as an arrangement of formations of vibrations, incorporated in shimmering layers of silence and texture. Within this contemporary work, one can still recognize the dramatic pacing, formal elegance and space (ma) felt in traditional Japanese music.</image:caption>
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  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/2022/6/4/resound-sun-xf94e</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-21</lastmod>
    <image:image>
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      <image:title>Shows - Re:Sound SUN - Make it stand out</image:title>
      <image:caption>Golden Champagne Flavored Sweatshirt  Self taught multi disciplinary artist- electronic music producer/watercolor/pen/cross-processed photo manipulation/digital art Musical expression is an incredibly cathartic experience. Expectant is my debut release- presented as an auditory voyage through my anxiety, confusion and depression. Recording music has completely changed my approach to artistry and creativity.Currently, in my art journey, I am pushing against the idea that my art must reflect the political aspects of my existence. I am weary of Black women having to be the pawns of men- uplifting an entire community with no compensation. Being drained by weak, “well-meaning” whites who are fueled and energized by the exploitation of  Black suffering with no real efforts for change.Shaping my existential rage and anxiety into a journey of self actualization through color and sound has been a profound experience.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1f5a0eb8-eda5-4057-9e7a-3dfc304a437f/sharkiface.jpg</image:loc>
      <image:title>Shows - Re:Sound SUN - Make it stand out</image:title>
      <image:caption>Sharkiface, the solo project of Angela Edwards, whose trail of achievements and accolades began in the 90s, in Austin, Texas. Starting with her experience booking and doing tour management for Daniel Johnston, she then moved to the Bay Area and quickly became an important staple, collaborating with local exploding psychedelic stalwarts Hans Grüsel's Krankenkabinet, Tarantism, and (rumor has it), Caroliner Rainbow, among many others. Sharkiface has toured the United States steadily, with some stints in Europe and Japan, and has been featured at fests such as San Francisco Electronic Music Fest, No Fun Fest, Colour Out of Space, and Ende Tymes, to name a few. Despite having done splits or collaborations with familiar names like Rodger Stella, Leslie Keffer, or Fletcher Pratt, and running a venue called Life-Changing Ministries, this is still her first truly solo outing as a recording artist. For "Climax In A Process", Sharkiface brings out career-spanning material, but also newer tracks, freshly inspired by her experience achieving an MFA in Electronic Music at Mills College, where she studied under "expert noodle wranglers" such as: Zena Parkins, Laetitia Sonami, John Bischoff, Chris Brown, Tomeka Reid, James Fei and Kala Ramnaf. Although Edwards' actual process remains somewhat mysterious, it is readily evident that voice is a main impetus for her work, which is, at times, processed through various extremely rare electronic instruments, tape delays, samplers, and other custom devices.</image:caption>
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      <image:title>Shows - Re:Sound SUN - Make it stand out</image:title>
      <image:caption>Malocculsion is a sound, visual, and performance artist currently based in Oakland,CA, currently exploring relationships of sound, the body and the exterior space in which they exist, psychosis, mortality, the prison system and the omnipresent entropic trap door of life. Through high tension multimedia performances , videos, photography, sculpture, curation, and other various documents, Malocculsion explores the negative spaces of our perceived realities, and the social and physical spaces that surround us. Malocculsion also helps run the  RATSKIN Records imprint, founded in 2005, which focuses on documenting and releasing important audio based works in the phonographic, cassette, CD and digital formats. as well as co-founding the Coral Remains project, which is a mobile sound and performance art unit since 2010 , FALSE NONE a cult inspired performance art project, CYBORG EYE, a Italian horror inspired psychedelic offering of nostalgia horror archetypes.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Shows - Re:Sound SUN - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/2023/2/18/resound-migration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-22</lastmod>
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      <image:title>Shows - re:sound :: migration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/0e982d17-0472-414f-b12d-03f2349cc55a/0B5A8443-EF1C-44D3-B8BF-0C28260F1A7B.JPG</image:loc>
      <image:title>Shows - re:sound :: migration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Shows - re:sound :: migration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/78f18c32-d33d-45ef-ada5-d5b1779a9b8a/CA-photo.jpg</image:loc>
      <image:title>Shows - re:sound :: migration - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/2022/9/10/resound-vibration</loc>
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    <lastmod>2023-07-25</lastmod>
  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/2022/6/4/resound-sun</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/083623d1-3199-4c17-8ec1-bd71e6961dad/DROUGHT+SPA+photo_ReSound+SUN.png</image:loc>
      <image:title>Shows - Re:Sound SUN - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/4e93f2da-0bd9-4b1f-aa80-628181972265/IMG_5551.jpg</image:loc>
      <image:title>Shows - Re:Sound SUN - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/98e32c29-022a-46b9-9aa5-04db956d044f/Screen+Shot+2022-05-16+at+5.38.22+PM.png</image:loc>
      <image:title>Shows - Re:Sound SUN - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/2021/11/6/resound-channel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1633217976769-BGRO1RZMZ7XMTJZD5DP1/ReSound_0202111-F1.jpg</image:loc>
      <image:title>Shows - Re:Sound CHANNEL - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/2019/6/29/resound-sun-2019</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1559953922680-QE6RCCSXWUZA3LSPDPVW/Saariselka-1.jpg</image:loc>
      <image:title>Shows - Re:Sound SUN 2019</image:title>
      <image:caption>There is an old Norse myth that says the great northern glaciers stored energy until they burst with fluorescent light, creating the Aurora Borealis. Saariselka is inspired by the meeting of earth and light, where slowly moving land masses merge with enveloping light fields. This sonic collaboration is between composers Marielle Jakobsons (Fender Rhodes, organ, synthesisers) and Chuck Johnson (pedal steel guitar and treatments). Chuck Johnson is an Oakland, California based composer and musician. He approaches his work with an ear towards finding faults and instabilities that might reveal latent beauty, with a focus on guitar, experimental electronics, minimalism and soundtrack composition. Recordings of his work have been published by VDSQ, Trouble in Mind, Scissor Tail, Merge, and Three Lobed, among others. Marielle V. Jakobsons is a composer and intermedia artist based in Oakland, CA. Her compositions evoke minimalism with melodic drone and enveloping polyrhythmic soundscapes of synthesizers, strings, and voice. She has published recordings and toured internationally on Thrill Jockey, Mexican Summer, Students of Decay, Digitalis, Important Records, among others.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1559954009734-5O6U6SFI3RSJ9X14W4IP/eloine6.jpg</image:loc>
      <image:title>Shows - Re:Sound SUN 2019</image:title>
      <image:caption>Bryan Day is a improviser, instrument inventor, illustrator and installation artist based in Richmond, CA. His work involves combining elements of the natural and man-made world using field recordings, custom audio generation software and homemade instruments. Day’s work explores the parallels between the patterns and systems in nature to those in contemporary society. Day has toured throughout the US, Europe, Japan, Korea, Argentina and Mexico, performing both solo as Sistrum and Eloine and in the Shelf Life and Seeded Plain ensembles. Festival appearances include Soundwave Festival (San Francisco, 2014), Thingamajigs Festival (San Francisco, 2013), New Media Sound and Art Summit (Austin, 2013), Milwaukee Noise Festival (Milwaukee, 2012), Denver Noise Festival (Denver, 2011), Heliotrope Festival (Minneapolis, 2010), Megapolis Festival (Baltimore, 2010), Denver Noise Festival (Denver, 2010), Transistor Festival (Denver, 2009), Quiet Music Festival (Cork, Ireland, 2008), Sonic Circuits Festival (Washington, D.C., 2007), Soundfield Festival (Chicago, 2005), and SubZero Festival (Minneapolis, 2001). Day has over 40 solo and ensemble releases on labels such as Creative Sources, Bug Incision, Friends and Relatives, Gameboy, Freedom From, Digitalis, Featherspines, Neus-318, Journal of Experimental Fiction, Unread, and Seagull.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1559954270717-N7J64YTP0K5736DCMFOW/61710620_2327638873999212_2735986414859583488_o.jpg</image:loc>
      <image:title>Shows - Re:Sound SUN 2019</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1559953982085-K9R8WUBVS8O19WYNA4Z2/unnamed%281%29_.jpg</image:loc>
      <image:title>Shows - Re:Sound SUN 2019</image:title>
      <image:caption>Kaori Suzuki is a Tokyo-born music maker/composer living in Oakland, CA. Her spiraling sound visions often take form in long durations, using electroacoustic sound technologies, intensely high register electronics, modified acoustic instruments, and tape. She seeks to create heightened listening states, emphasizing finding ‘music’ within activated space-time. She currently performs solo and plays drums in the Oakland based Minimalist psych-punk group, Night Collectors; amplified strings in the Ecstatic Music Band; and collaborates with partner, John Krausbauer, on immersive light/sound happenings. She has toured and performed her music across the US, Japan, Europe, Mexico, and Canada, and has released her music on independent labels in Germany and the US.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/2019/2/9/resound-migration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1546645119054-7UPLB7DENUOB5TOF5G4O/OMMO.jpg</image:loc>
      <image:title>Shows - Re:Sound Migration</image:title>
      <image:caption>OMMO is Oakland based duo Adria Otte and Julie Moon who combine electronics and voice in performances ranging from abstract atmospheres to personal narratives woven together in their singular style so that even as each performance embodies its own identity the project remains recognizably the voice that is OMMO. Moon and Otte’s duo began in 2014 as a platform to investigate the complexities and histories of the Korean diaspora and their places within it. The duo’s unique compositions may be experienced as evocative, atmospheric soundscapes which create an abstract yet fertile space for these investigations. Configurations of voice, analog and digital electronics, free and structured improvisations, as well as theater, ritual and song, may all be employed in the process. OMMO recently presented their piece Innae 인내 (忍耐) at the SF Electronic Music Festival in September 2018.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1546645271130-VM4VUEAJCVV3LPWJ6908/Werder.jpg</image:loc>
      <image:title>Shows - Re:Sound Migration</image:title>
      <image:caption>Manfred Werder, composer and performer, is wandering through the abundance. His scores feature words and sentences found in poetry, philosophy and the world. Earlier works include stück 1998, a 4,000 page score whose nonrecurring and intermittent performative realization has been ongoing since December 1997. Werder’s work may place more emphasis on the act of listening than on inserting sound into an environment, seeking a condition in which “there is no outside the work” and dissolving boundaries between listener and performer. While he “lives in situ,” his joining us for Re:Sound is thanks in part to the generosity of the Swiss Arts Council Pro Helvetia. Thank you for your continued support and we look forward to seeing you at A-168 as Re:Sound enters its fourth year of sounding out in that resonant room.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1546645200367-X363G654ATXYKWTUKY1V/Pisaro.jpg</image:loc>
      <image:title>Shows - Re:Sound Migration</image:title>
      <image:caption>Michael Pisaro is a guitarist, composer and a member of the Wandelweiser collective. His work is not easily defined as his long form compositions result in complex forms which might combine field recordings from urban or rural locations, pure sine waves or fragmented samples of other music with notation for various instruments in solo or orchestral arrangements. Many of his recent works are published on his own imprint Gravity Wave and he teaches composition and experimental music at the California Institute of the Arts.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/2018/6/16/resound-sun</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-06-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1526614168465-5MTPRPCU4EV8M7OIJI2H/aggi+percussion.jpeg</image:loc>
      <image:title>Shows - Re:Sound SUN</image:title>
      <image:caption>Agnes Szelag experiments and designs in the convergent space between composition and improvisation, video and performance, the material and immaterial, producing electro-acoustic works, installations, and textural video pieces. As a composer, Agnes writes for her own performances and releases as well as many collaborations. She performs using cello, voice, and electronics--often incorporating visual media into her solo performances. As an installation artist, Agnes prefers to work with specific, forgotten sites, but has also transformed gallery spaces, buildings, and objects. Her work has been shown at Grace Cathedral, Bunkier Sztuki (Krakow), THE LAB SF, de Young Museum, Project Artaud, Artists Television Access, CCA, The Stone NY, Monkeytown, Streaming Festival, Cologne Online Festival and many more. Currently, Agnes is a Creative Director at UC Berkeley managing a media and design team.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1526614447965-VD8COZGTGPLY3LDWK80D/IMA_Press1.jpg</image:loc>
      <image:title>Shows - Re:Sound SUN</image:title>
      <image:caption>Noise music of Japanese poetry. IMA is the duo of Nava Dunkelman x Amma Ateria, marching forth with fearless percussion, stark electronics, and filmic poetic vocals. Deconstructing and dissolving heavy music through restraint and release, IMA strives for a balance between meticulousl detailed precision of instrumentation, and chaos of densities driven to brinks of breakage, situated by beautification in between. IMA has been presented at residency at The Stone, New York City (2016) and San Francisco Electronic Music Festival, San Francisco (2016). Amma Ateria (HK) is a sound artist, electroacoustic composer, and improviser born in Hong Kong, based in California. Her practice in sound examines the boundaries of the sonic spectrum and the physicality in the human experience. Her work has been presented in SoART, Austria (2013), Titanik Gallery, Finland (2014), The Stone, New York (2016), SFEMF, San Francisco (2016), BAMPFA, Berkeley (2017), Exploratorium, San Francisco (2018), and Marfa Sounding, Marfa (2018). Nava Dunkelman (JP) is a percussionist and improviser born in Tokyo, Her sonic palette spans the globe from Japanese taiko to Indonesian gamelan, from classical to contemporary to the avant¬ garde. She has performed and collaborated with William Winant, Fred Frith, John Zorn, Ikue Mori, George Lewis and many others as well as performed classical and contemporary pieces with the William Winant Percussion Group, Joan Jeanrenaud, San Francisco Girls Chorus, San Francisco Contemporary Music Players and others.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1526614725553-L75J5B31UI6REECYLDFK/ErnstKarel_Mata_preview.jpeg</image:loc>
      <image:title>Shows - Re:Sound SUN</image:title>
      <image:caption>Ernst Karel (b. 1970, Palo Alto) works with sound, including electroacoustic music and experimental nonfiction sound for multichannel installation and performance. His recent solo projects are edited/composed using unprocessed location recordings; in performance, he sometimes combines these with analog electronics to create pieces which move between the abstract and the documentary. Recent sound projections include Sonic Acts, Amsterdam; Oboro, Montreal; EMPAC, Troy NY; Arsenal, Berlin; and the 2014 Whitney Biennial. Sound installations in collaboration with Helen Mirra have been exhibited at the Gardner Museum, Boston; Culturgest, Lisbon; KW Institute for Contemporary Art, Berlin; Audiorama, Stockholm; MIT List Visual Arts Center, Cambridge; and in the 2012 Sao Paulo Bienal. Video with multichannel sound collaborations include Ah humanity! (2015, with Lucien Castaing-Taylor and Véréna Paravel) and Single Stream (2014, with Toby Lee and Pawel Wojtasik). CDs of his often collaborative work have been released on and/OAR, Another Timbre, Cathnor, Gruenrekorder, Locust, Sedimental, and Sshpuma record labels, among others.  http://ek.klingt.org  </image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1526614590656-ETRXHJ3D4FFWXLSU5DS9/32185909_1759655924130846_257104803992174592_o.jpg</image:loc>
      <image:title>Shows - Re:Sound SUN</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/2018/2/10/resound-migration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1513996114240-IBAURRG671C5QYAJSTO1/25310979_10213350102800815_427572293346154156_o.jpg</image:loc>
      <image:title>Shows - Re:Sound Migration</image:title>
      <image:caption>Robert Crouch is an artist and curator whose work encompasses sound, performance, and technology. As an artist, he locates his work with the intersection of post-phenomenological listening practices, conceptual sound art, and contemporary electronic music. At its core, his work can be understood as a conversation between tonality, context, history and subjectivities. Similarly, Crouch’s curatorial work focuses on the overlapping disciplines of sound, technology, movement, and performance. In 2014 he organized the North American premiere of Sphæræ, a large-scale inflatable performance space and public artwork by Dutch artist Cocky Eek. In 2017 he co-curated Juan Downey: Radiant Nature, a survey of early interactive and performance work of the late Chilean artist as part of the Getty initiative, Pacific Standard Time: LA/LA. Crouch is the former Associate Director/Curator at LACE, where he curated solo exhibitions with artists Karen Lofgren, Gina Osterloh, Steve Roden, Sean Sullivan, and Margo Victor, and performances with artists including William Basinski, Celer, Lawrence English, Dominick Fernow, and Yann Marussich. He is also the founding partner of VOLUME, a curatorial project that functions as a catalyst for interdisciplinary new media work through exhibitions, performances, events, lectures, and publications, and has worked with a wide range of artists including William Basinski, Nate Boyce, Frank Bretschneider, Richard Chartier, Heather Cassils, Celer, Loren Chasse, William Fowler Collins, Tim Hecker, Isis, France Jobin, Kadet Kuhne, Lucky Dragons, Mamiffer, Carsten Nicolai, Yann Novak, taisha paggett, Steve Roden, Terre Thaemlitz, Julie Tolentino, and Christopher Willits. Crouch is currently the Executive and Artistic Director for Fulcrum Arts and the Artistic Director for the AxS Festival. Robert Crouch is published by Touch Music.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1513996316720-0FMM2C5X7W3IO0N3PY30/Judith-Hamann-coloursmaller.jpg</image:loc>
      <image:title>Shows - Re:Sound Migration</image:title>
      <image:caption>Judith Hamann is a cellist from Melbourne, Australia. Her performance practice stretches across various genres encompassing elements of improvised, art, experimental, and popular music. Currently her work is focused on expressions of immersion and saturation: explored through durational, spatialised and electroacoustic approaches to sound, as well as an examination of psycho-physical materials and manifestation of 'shaking'. Judith has studied contemporary repertoire with cellists including Charles Curtis and Séverine Ballon, as well as developing a strong practice in improvisation and sonic arts through collaborative projects both in Australia and internationally. She has worked with artists and ensembles including Oren Ambarchi, ELISION ensemble, Dennis Cooper, Arnold Dreyblatt, Maya Dunietz, Jürg Frey, Graham Lambkin, Alvin Lucier, Sejiro Murayama, Toshimaru Nakamura, The Necks, NYID, Michael Pisaro, Ilan Volkov, Tashi Wada, and La Monte Young. Judith is a member of Golden Fur, Hammers Lake, SYSTEM (with Anthea Caddy), The Argonaut String Quartet, and a duo project with Rosalind Hall. She has performed widely with festivals including Tectonics (Glasgow, Adelaide, Tel Aviv, Athens), UnSound (NYC), Musikprotocol (Graz), The Now Now (Sydney), BIFEM (Bendigo), Dark Mofo (Hobart), Tokyo Experimental Festival, SiDance Festival (Seoul), and Liquid Architecture (AU). Other performance highlights include improvised or repertoire presentations at Cafe Oto (London), Issue Project Room (NYC), Dia Art Foundation (NYC), Steim Institute (Amsterdam), Logos Foundation (Ghent), LaSalle University (Singapore), SuperDeluxe (Tokyo), O’ Gallery (Milan) and Tempo Reale (Florence).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1513996526483-V762MHH7J642SOSR6FCM/profile_SophiaShenHeadshot+1.jpg</image:loc>
      <image:title>Shows - Re:Sound Migration</image:title>
      <image:caption>Sophia Shen is a composer, sound artist, pipa performer/ improviser and pianist who believes in the subjective, evocative, conceptual and ineffable nature of music and sound. She makes intangible connections with performers and listeners by creating music that evokes memory and imagination. She is interested in bridging the divide between cultures by using instruments to dissemble and synthesize new sounds. Sophia is currently based in the San Francisco Bay Area. She holds an MFA in Electronic Music and Recording Media from Mills College where she also studied composition and improvisation. She received a BA degree in Music with High Distinction and a BA degree in German from the University of Virginia.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/2017/9/9/resound-changing-landscapes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1504586950359-L9ID0BS7RPHRYT3CB0QI/david+beetle.jpg</image:loc>
      <image:title>Shows - Re:Sound Changing Landscapes</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1504587148385-LAMQ13DL69JZLBYP72YH/jen.JPG</image:loc>
      <image:title>Shows - Re:Sound Changing Landscapes</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1504587041046-SPDZA48XDJCWF93G02Z4/cheryl.jpg</image:loc>
      <image:title>Shows - Re:Sound Changing Landscapes</image:title>
      <image:caption>Cheryl Leonard</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1504587112437-BW4HBRI1K7S8X0G1W0FD/jorge.jpg</image:loc>
      <image:title>Shows - Re:Sound Changing Landscapes</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/2017/6/17/resound-sun</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1496467600669-5V78SX8EJRGSC2LH5K1C/image-asset.jpeg</image:loc>
      <image:title>Shows - Re:Sound SUN</image:title>
      <image:caption>Elise Baldwin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1496467805857-5L1E2GATYOO23MYDWCAH/image-asset.jpeg</image:loc>
      <image:title>Shows - Re:Sound SUN</image:title>
      <image:caption>Flex</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1496467189993-PQ64XZGMPHAGXMEZ3VTL/Maggi+Payne+small.jpg</image:loc>
      <image:title>Shows - Re:Sound SUN</image:title>
      <image:caption>Maggi Payne</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/2017/4/3/switzerlandfranceoakland</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1492400801583-14XNBFBA4POEUQJDEF4S/image-asset.jpeg</image:loc>
      <image:title>Shows - SWI/FR/CA</image:title>
      <image:caption>Jason Kahn is a musician, artist and writer. He was born 1960 in New York and grew up in Los Angeles. He re-located to Europe in 1990 and is currently based in Zürich. As an electronic musician, vocalist and drummer Kahn collaborates regularly with many musicians, both in improvised settings and in the context of graphical scores which he composes for specific groups. Kahn has exhibited his installations in museums, galleries, art spaces and public sites internationally. These works focus on the idea of space: the conceptual and physical juncture points, its production and dissolution, and our relation to it as a political, social and environmental medium. Kahn's other activities include sound pieces for radio, film, dance and theater. He has also designed numerous CD, LP and cassette covers. As a writer, his work has appeared in books, magazines and as liner notes to many audio publications. Performing regularly around the world, Kahn has given concerts throughout Europe, North and South America, Australia, China, Egypt, Hong Kong, India, Indonesia, Israel, Japan, Korea, Lebanon, Malaysia, Mexico, New Zealand, Russia, Singapore, Taiwan, Turkey and South Africa. In 2011 Kahn started the Editions imprint to publish his own recordings and writings.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1492401129421-HPQH6EX4QHXDCKX9U9WB/image-asset.jpeg</image:loc>
      <image:title>Shows - SWI/FR/CA</image:title>
      <image:caption>Adria Otte Adria Otte is a multi-instrumentalist whose primary focus has been on violin and guitar. She has performed in ensembles ranging from string quartets to rock bands to free improvisation groups and currently frequently collaborates with Dohee Lee and Navarrete x Kajiyama Dance Theater, focusing on sound design and electronics. Kristina Dutton Violinist/composer Kristina Dutton works in a wide range of musical settings, moving freely between improvisation, new music, and interdisciplinary collaboration. Conservatory trained, she has performed on more than 30 albums of various genres, appeared with numerous orchestras, and a handful of internationally acclaimed rock groups.  Konoko Nishi-Smith Although her primary training is in classical piano performance, Kanoko Nishi’s most recent interest has been in improvisational music making, both in a solo context and in collaborations with other artists. She has been exploring on the piano, as well as on her second instrument, koto (13, or 17-string Japanese zither), various extended techniques, in addition to more traditional techniques, in order to widen the range of vocabularies on each instrument and to enable them to adapt to different musical genres. Her frequent collaborators so far include: Jacob Felix Heule, Jon Raskin, Theresa Wong, Maryclare Brzytwa, and Shayna Dunkelman, but she has performed with various other musicians in the Bay Area, as well as in Europe. Kanoko also enjoys collaborating with dancers, such as Paige Sorvillo, Yuko Kaseki, Isak Immanuel, Sherwood Chen, as well as poets and visual artists to push the limits of her musical language.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1492400929214-FIMGSGLPC9E9PV49QPVL/image-asset.jpeg</image:loc>
      <image:title>Shows - SWI/FR/CA</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/2017/2/11/migration-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-23</lastmod>
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      <image:title>Shows - Re:Sound Migration 2017</image:title>
      <image:caption>Michele Seippel: I strongly believe the intersection of mediums is the foundation of my work. In order for mediums to intersect, they must have a common thread. For myself, that thread is time. My work is comprised of captured personal moments from my audio diaries. During my live performances I am able to find a home for the physical and not so concrete memories with the use of field recordings, voicemails, and video footage, while manipulating them in real-time. The use of motion controllers, looping and audio analysis creates an ephemeral experience for the audience. My process of layering and blurring both imagery and soundscapes should hopefully provoke the audience to reminisce about fleeting memories that often escape our conscious. I am a graduate from Virginia Commonwealth with degrees in Kinetic Imaging and Painting and New Genres. My background in live performance sound and video editing has allowed me to participate in galleries, theaters domestically and abroad. I currently make sounds in my little green house, live in Santa Clara, California and run a neat net label with my brother over at seippelabel.com</image:caption>
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      <image:title>Shows - Re:Sound Migration 2017</image:title>
      <image:caption>Joshua Churchill + Paul Clipson Joshua Churchill and filmmaker Paul Clipson create hallucinatory collisions of sound, light, and image using field recordings, guitar, tape loops, electronics and film, respectively. For Re:Sound, Churchill and Clipson will be incorporating sounds and images collected on Mare Island, while utilizing the element of chance as each artist presents densely layered and textured abstract collages within their respective mediums without premeditations on their coalescence. Churchill and Clipson's most recent collaborations include the MONO NO AWARE festival in New York City (with John Davis), and the UNSEEN series at Gray Area in San Francisco. Joshua Churchill is a San Francisco-based cross-disciplinary artist whose immersive site-specific sound and light work takes the form of both installation and performance, often blurring the line between the two. In addition to performing with filmmakers such as Paul Clipson and John Davis, Churchill also performs and records under the moniker Plumes. Churchill has exhibited and performed throughout the US and abroad.  Paul Clipson makes films in Super8 and 16mm. Many of his films are the result of collaborations with sound artists such as Grouper, Jefre Cantu-Ledesma and Joshua Churchill, all of whose methods of experimenting with sound and instrumentation, incorporating improvisation, mistakes and accidents into live performances and recordings, have greatly influenced his work. His films have screened around the world in festivals and at sound &amp; film events such as the International Film Festival Rotterdam, The New York Film Festival and the Cinémathèque Française</image:caption>
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      <image:title>Shows - Re:Sound Migration 2017</image:title>
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  <url>
    <loc>http://www.re-sound.net/new-events-1/2016/9/24/resound-september-2016</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/544b23f4e4b04f9b3c5d6ce5/1473574181343-6H1DCK2GQB48EAAIAOG1/image-asset.jpeg</image:loc>
      <image:title>Shows - Re:Sound September 2016</image:title>
      <image:caption>Joe Colley JOE COLLEY has spent ten years exploring the multiple conceptual possibilities of sound, through music production, installations, or collaborations with video artists, dancers, and even prisoners. His latest installations attempted to dissimulate the artist by concentrating on the instigation of unstable situations unique to the composition of random sound. Colley first began recording under the moniker Crawl Unit in 1993, and later dropped the name in favor of his given name in 2001. He's released numerous recordings for Auscultare, Antifrost, ERS, Manifold, C.I.P, and his own Povertech Industries. In 2006, Colley won an Award of Distinction for the 2006 Prix Ars Electronica in Digital Music for his album Psychic Stress Soundtracks.</image:caption>
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      <image:title>Shows - Re:Sound September 2016</image:title>
      <image:caption>Tim Barnes + Jeph Jerman JEPH JERMAN: I grew up in a military family, so we moved around a lot, a different place every two years until my father retired in Colorado. I started playing music in a number of bar bands, whilst also experimenting with other forms – playing around with tape recorders and trying to find people to improvise with. Formed a few long lasting bands (Big Joey, City Of Worms, Blowhole) and began recording and playing solo as hands to. Ran a cassette label during the 80s cassette culture explosion.  Eventually ended up in Seattle, where I fell in with the local musical community. Two years of near-constant playing with people like Paul Hoskin, Doug Theriault, Dave Knott, Angelina Baldoz, Lori Goldston, Mike Shannon and Wally Shoup. One memorable concert with John Butcher. Continued to develop my solo work, and began improvising with natural sound makers (stones, shells, pine cones) around 1996. Formed the first animist orchestra in 1999, to perform works for same.  Moved to Arizona and have since done tours with Tim Barnes, Sean Meehan and David Daniell, Paul Hoskin, and toured Australia and New Zealand with Greg Davis. In 2001 I made recordings of the desert and it’s interaction with man made structures and released a new cassette every month for a year. I continue to investigate the desert, build crude sound making devices and play and record whenever the opportunity arises. TIM BARNES is a globally recognized percussionist, composer, sound designer, and audio archivist. He has performed at the Guggenheim, Whitney, and Pompidou museums, as well as in galleries and performance halls in Tokyo, Berlin, Rome, Belgium, Stockholm, Mexico City, and Melbourne. He has been recruited to perform with some of experimental music’s most accomplished players, including John Zorn, Kim Gordon, Ikue Mori, Jim O’Rourke, Lee Ranaldo, and Jeph Jerman. American corporations such as Starbucks, Nike, Cadillac, and Merrill Lynch have hired Tim to create sound collages for their television advertisements. He has also worked closely with Fluxus artists La Monte Young and Henry Flynt with archival restoration of recorded works, and in 2005, Tim performed and recorded Alison Knowles’ composition “Onion Skin Song”. Currently, he is working with Vito Acconci and the publisher Primary Information on presenting Mr. Acconci’s complete recorded works. Tim lives in Louisville, Kentucky, where he is the Artistic Director of the performing and visual art space Dreamland.</image:caption>
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      <image:title>Shows - Re:Sound September 2016</image:title>
      <image:caption>Michael Gendreau Michael GENDREAU has composed and performed solo as well as in several group configurations since 1979. His former group, Crawling With Tarts (1983 – 1998), expressed ideas within elementalism and pre-language states. Gendreau has elaborated on this while adding concepts inspired by his studies of physics, parataxis, philosophies centered on temporal and environmental persistence; and his experiments with small motors and turntable mechanisms. Performances have involved one-off transcription discs cast by others in the middle of the last century, and those cut in his studio using a decrepit lathe. More recently, Gendreau has sought to extend these studies, while experimenting with the use of a building as a speaker. He records infrasonic vibrations of a performance space, then in the concert, he uses the structure’s resonances as an additional instrument in his site-specific compositions. These practices are based in part on his current work as an acoustician working primarily on low-vibration and noise design for buildings. Gendreau has performed these site-specific compositions in locations around the world: Valencia, Spain; Paris, France; Athens, Greece; Lausanne, Switzerland; and others.</image:caption>
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      <image:title>Shows - Re:Sound September 2016</image:title>
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      <image:title>Shows - Re:Sound September 2016</image:title>
      <image:caption>Jeph Jerman   </image:caption>
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    <loc>http://www.re-sound.net/new-events-1/2016/6/11/5chimpfluch-grupp3</loc>
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    <lastmod>2017-12-23</lastmod>
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      <image:title>Shows - Schimpfluch</image:title>
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      <image:title>Shows - Schimpfluch</image:title>
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    <loc>http://www.re-sound.net/new-events-1/2016/6/18/resound-sun</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-23</lastmod>
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      <image:title>Shows - Re:Sound SUN</image:title>
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    <loc>http://www.re-sound.net/new-events-1/2016/2/21/resound-migration-2016</loc>
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    <lastmod>2016-02-05</lastmod>
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  <url>
    <loc>http://www.re-sound.net/new-events-1/2016/2/20/resound-migration-2016</loc>
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    <priority>0.5</priority>
    <lastmod>2016-01-30</lastmod>
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  <url>
    <loc>http://www.re-sound.net/new-events-1/2015/9/19/resound-23five-present-touch</loc>
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    <priority>0.5</priority>
    <lastmod>2016-02-24</lastmod>
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  <url>
    <loc>http://www.re-sound.net/new-events-1/2015/3/30/9cffzfx4sthhct5zrvqe7wd2ybf1a8</loc>
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    <priority>0.5</priority>
    <lastmod>2016-02-24</lastmod>
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  <url>
    <loc>http://www.re-sound.net/new-events-1/2015/2/15/resound-migration</loc>
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    <priority>0.5</priority>
    <lastmod>2016-02-24</lastmod>
  </url>
  <url>
    <loc>http://www.re-sound.net/new-events-1/2015/2/14/resound-migration</loc>
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    <lastmod>2016-02-24</lastmod>
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    <lastmod>2023-02-13</lastmod>
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      <image:title>Pictures - Suki O'Kane / Kevin Corcoran / Jacob Heule</image:title>
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